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Phur G​.​Yang

by Abysskvlt

supported by
Bertrand Marchal
Bertrand Marchal thumbnail
Bertrand Marchal The Russian band outdid themselves with this new album, and God knows it was already some top-of-the-shelf music. It's some ghastly ambient doom that plays its part in dark, blurred shades. It works supremely well on me though!
tr_🇺🇦 thumbnail
tr_🇺🇦 Funeral Doom from Russia. 80 minutes! I have to assume, that they are creating soundtracks professionally. The noisy bits in the 3rd track are an unexpected highlight. Remarkable are the additional haunting female gutturals; almost a shock when the last song briefly turns into a choir of clean vocals. A delightful, surprising and worthy culmination of an excellent album.
For pure ritualistic ambient, try their live recording "Nga-Ri Session". Favorite track: Mchod Rten.
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Jhator 18:16
Nga-Ri 16:06
Phar 19:20
Mchod Rten 26:04


The third album by the Russian funeral doom metal band Abysskvlt continues the exploration of Tibetan spiritual culture. The musicians’ experiments resulted in the lyrics written and performed in Tibetan and Shangshung languages, moreover, twenty traditional Tibetan musical instruments were used in the recording. The album is dedicated to the theme of Leaving and describes the rituals of heavenly funeral and further spirit wandering through the abyss beyond Samsara borders. This is the most unusual funeral doom metal by Abysskvlt, with an even greater tendency towards the music of the ancient Bon tradition. This is the release for the initiated.



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Solitude Productions Russian Federation

The Solitude Productions label was founded in July 2005 for promotion of doom metal varying within wide range from traditional to funeral doom. In the end of 2006 the BadMoodMan Music sub-label was found for promotion of the bands which do not exactly fit the style of the mother label. ... more

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